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Quickstart

Welcome to OUMTA.

This page walks you through the core of the app without trying to explain everything. By the end you’ll have a playable song — and a feel for how OUMTA thinks.

No prior knowledge needed. And don’t worry: you can’t break anything.


Before we start: How OUMTA understands songs

Section titled “Before we start: How OUMTA understands songs”

OUMTA is not a classic audio tool.

It doesn’t answer the question
“How fast is the song?”
but rather:

“Where am I right now — and what’s next?”

That’s why OUMTA thinks in blocks.

A block is a song section: Intro, verse, chorus, bridge — or simply “the part that feels the same.”


Open the Song Library and create a new song.

The song does not start empty, but with an example block.

That block is:

  • selected
  • the current focus
  • the starting point for playback

Important:
Selection defines where the song starts.


Before going deeper, it’s worth checking the tempo.

Click the BPM display in the Player and set a rough tempo. Tempo applies to the whole song.

It doesn’t have to be perfect. You can fine-tune it anytime later.


Open the Block Editor:

  • double-click the block
  • or right-click the block → Edit block
  • or press Enter on the selected block (Pro)

Note (Free version)
In the Free version, no keyboard shortcuts are active.
All steps are done intentionally via mouse or touch.

In the Block Editor you define
how the click behaves in this section.

You don’t need to set everything. Focus on three things.


How is it counted? (e.g. 4/4)

How many bars does this section have?

Now the block is musically defined. It knows:

  • how long it is
  • how it’s counted

That’s enough for now.


Open the click pattern.

This is not about tempo, but about weighting:

  • Where does the pulse feel strong?
  • Where does it step back?
  • What helps you while playing?

You can preview the pattern directly
using the small Play button.

Playback keeps running while you edit.

That’s intentional. OUMTA is built for listening, not for doing math.


If you want, add a guide.

A guide is a short spoken reminder:

  • “Chorus”
  • “Break”
  • “Turnaround”

Guides are optional. But they’re extremely helpful when:

  • songs get longer
  • structures get complex
  • you play live

Close the Block Editor.

You’ll now see the block in the Player:

  • with color
  • with width
  • as part of a timeline

This display is not millimeter-accurate. It’s readable.

OUMTA prioritizes orientation — not microscopic precision.


Create more blocks:

  • click the + at the bottom
  • each one is its own section
  • its own pattern, its own length

You’ll notice:

  • repeats become instantly clear
  • transitions are visible
  • you don’t have to keep anything in your head

That’s the point where OUMTA starts carrying you.


Press Play.

The song starts:

  • after the count-in
  • at the selected block

The playhead always shows you:

  • where you are
  • how far the section has progressed
  • what’s coming next

When you press Stop, the playhead stays exactly where you stopped.

That’s intentional.

Especially during rehearsal it often matters to see: Where did the mistake happen?
In which block?
In which section?

To start again, you can deliberately rewind
(for example to the first block or a specific entry point).

You decide. OUMTA doesn’t hide that information.


When the song feels good: Save.

Everything is preserved:

  • block structure
  • patterns
  • guides
  • visual layout

You learned:

  • how OUMTA models songs
  • why blocks matter more than time
  • how click patterns create musical feel
  • why selection defines the start point
  • why the Player is not a DAW

And most importantly:

You have a working song.


Depending on what you want:

  • Play live? → Player & Shortcuts
  • Work faster? → Presets & Pro features
  • Build complex songs? → Block Editor in detail

But the hardest part is done.

You’re in.